Artistic analysis of V. Bryusov's poem “Sonnet to Form. "Sonnet to Form" V. Bryusov Valery Bryusov Sonnet to Form

Valery Bryusov is one of the founders of Russian symbolism - a direction that raises the form of any literary work to the absolute. Therefore, it is not surprising that in his early poems this poet preaches the ideas of the chosen literary direction, trying to convey to readers the idea that even a modest quatrain should be perfect in its beauty.

However, the fascination with form was characteristic of many Russian poets who adhered to symbolic views. And it was a great stimulus for the development

Poetic language, which has become more refined, concise and elegant.

In 1895, declaring his symbolic views, Valery Bryusov published the poem “Sonnet to Form”, in which he tried to convey to readers that the connection between the meaning of any work and the way this meaning is expressed affects its perception. This connection is subtle, and to make it more visible, any author has to make a lot of effort. “So the diamond is invisible to us until it comes to life in a diamond under the edges,” the poet notes. According to Bryusov, at the heart of any work lies fantasy, which

Airy and changeable, like “clouds in the sky”. However, some still manage to capture them in such a way that readers can capture their every twist and changeable contour. They are "petrified, then live for centuries in a refined and complete phrase."

The desire for eternity in their works is characteristic of almost every poet. However, Bryusov treated this issue with particular trepidation. The author was convinced that hundreds of poems could be written, and not one of them would become an object for imitation and admiration just because the readers would not be able to understand what exactly the poet wanted to tell them. On the other hand, works that are too simple and accessible in their understanding do not cause due delight, since almost every person has the gift of versification. As a result, the ideal version of the work, according to Bryusov, should contain an original idea, which is presented in a very refined and impeccable form in its perfection. Only in this way are real poems born, which become the property of world literature and the next step in its development. And the names of their creators are inscribed in golden letters in history, even if the author owns only one quatrain, ideal in every respect. Only a few can create such works, and inspiration in this respect plays a secondary role. The poet is convinced that versification is hard mental work multiplied by an impeccable sense of harmony.

It is to this pinnacle of skill that Bryusov himself strives, who dreams that his poems would not only be beautiful in content, but also have an impeccable form. He dreams that any reader could enjoy these two important components of poetry, which are so closely interconnected and allow creating a single picture of the universe, figurative, exciting and delightful in its beauty. Bryusov wants every reader, having opened a collection of his poems, "to get drunk in it with both the harmony of the sonnet and the letters of calm beauty." However, it is worth noting that over the years the poet has somewhat changed his views, making sure that the power of the word does not always depend on the form in which it is denounced. Nevertheless, until the end of his days, Bryusov strove to find harmony between form and content, carefully choosing the words for each of his poems and trying to turn it into a small poetic masterpiece, shining like a diamond in the sunlight.

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Analysis of Bryusov's poem “Sonnet to the Form

Analysis of the poem - Sonnet to form

A sonnet is a 14-line poem with a strict rhyming system.

There are subtle power connections between the contour and the smell of a flower.

Contour - Outline, appearance, figure, image, and so on. Everything mentioned above is perceived by the eye. The world perceived by sight is visible, external, and so on. And you can't smell it. It is invisible, it is an invisible world. The contour and smell cannot be broken.

So the diamond is invisible to us until Beneath the facets comes to life in the diamond.

A diamond is a cut diamond. Jeweler - a person who sees a diamond in a diamond

So images of changeable fantasies, Runners like clouds in the sky Okamenev, then live for centuries In a refined and complete phrase.

Images, thoughts, feelings of a person are unsteady, fluid, they just run.

And I want all my dreams, which have reached the word and the light, to find their desired traits.

What does the phrase: "Dreams have reached the word" mean?

They can be seen.

Let my friend, having cut the volume of the poet, Get drunk in it with the harmony of the sonnet, And with the letters of calm beauty!

Here are the key words: - Get drunk, harmony, beauty.

As we have seen, the poet and the jeweler are united by the ability to give shape - to their experiences or a precious stone, that is, to embody what is invisible to others, and embody it according to the laws of beauty.

And the Symbolists boldly believed that their work could change life for the better, not just decorate, but change, and first of all, a person.

They considered themselves the creators of symbols - diamonds, looking through which at the world, the reader will begin to see clearly and follow the discoverers, captivated by the beauty of their creations.

Whether their hopes came true is another question. But much more than two lines are inscribed in the history of universal literature about Valery Bryusov.

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Valery Yakovlevich Bryusov

There are subtle power ties
Between the contour and the scent of a flower
So the diamond is invisible to us until
Under the edges will not come to life in a diamond.

So images of changeable fantasies,
Running like clouds in the sky
Petrified, then live for centuries
In a polished and complete phrase.

And I want all my dreams
Reached to the word and to the light,
Found the traits you want.

Let my friend, having cut the volume of the poet,
Get drunk in it and the harmony of the sonnet,
And letters of calm beauty!

Valery Bryusov

However, the fascination with form was characteristic of many Russian poets who adhered to symbolic views. And this became an excellent stimulus for the development of poetic language, which became more refined, concise and elegant.

In 1895, declaring his symbolic views, Valery Bryusov published the poem "Sonnet to Form", in which he tried to convey to readers that the connection between the meaning of any work and how this meaning is expressed affects its perception. This connection is subtle, and to make it more visible, any author has to make a lot of effort. “So the diamond is invisible to us until it comes to life in a diamond under the edges,” the poet notes. According to Bryusov, the basis of any work is fantasy, which is airy and changeable, like “clouds in the sky”. However, some still manage to capture them in such a way that readers can capture their every twist and changeable contour. They are "petrified, then live for centuries in a refined and complete phrase."

The desire for eternity in their works is characteristic of almost every poet. However, Bryusov treated this issue with particular trepidation. The author was convinced that hundreds of poems could be written, and not one of them would become an object for imitation and admiration just because the readers would not be able to understand what exactly the poet wanted to tell them. On the other hand, works that are too simple and accessible in their understanding do not cause due delight, since almost every person has the gift of versification. As a result, the ideal version of the work, according to Bryusov, should contain an original thought, which is presented in a very refined and impeccable form in its perfection. Only in this way are real poems born, which become the property of world literature and the next step in its development. And the names of their creators are inscribed in golden letters in history, even if the author owns only one quatrain, ideal in every respect. Only a few can create such works, and inspiration in this respect plays a secondary role. The poet is convinced that versification is hard mental work multiplied by an impeccable sense of harmony.

Bryusov himself aspires to such a pinnacle of mastery, who dreams that his poems would not only be beautiful in content, but also have an impeccable form. He dreams that any reader could enjoy these two important components of poetry, which are so closely interconnected and allow creating a single picture of the universe, figurative, exciting and delightful in its beauty. Bryusov wants every reader, having opened a collection of his poems, "to get drunk in it both with the harmony of the sonnet and the letters of calm beauty." However, it is worth noting that over the years the poet has somewhat changed his views, making sure that the power of the word does not always depend on the form in which it is denounced. Nevertheless, until the end of his days, Bryusov strove to find harmony between form and content, carefully choosing the words for each of his poems and trying to turn it into a small poetic masterpiece, shining like a diamond in the sunlight.

"Sonnet to Form" was written in 1894 by a young 21-year-old Bryusov, a student of the historical and philological faculty of Moscow University. The writer included it in the Prologue cycle in the collection of youthful poems Juvenilia, which he prepared for publication in 1896. The collection was never published. The poem, along with others prepared for publication in an unpublished collection, was included in the Complete Works (1913).

Literary direction and genre

In 1894, the direction of symbolism was born in Russia, at the origins of which stood Bryusov. A manifesto of the Symbolists and an almanac "Russian Symbolists" was published (at the expense of Bryusov). "Sonnet to Form" is a poem about the embodiment of the ideas of symbolism in poetry. The genre of the poem is philosophical lyrics, the so-called sonnet is a poetic manifesto.

Theme, main idea and composition

The sonnet has an epigraph by the French symbolist Mallarme, who claims that the essence of things is not revealed in everyday speech. How then to open it? Bryusov's sonnet about this.

The sonnet form suggests 2 quatrains and 2 tercets. The first quatrain sets the theme, the thesis. The author talks about a flower, which has form and content, external and internal, contour and smell. This idea is developed in the image of a diamond, the essence of which is inaccessible to the eye until the cut makes the shape perfect.

The first tercet, it would seem, does not contain contradictions; there is no expected fracture in it. The lyrical hero dreams that his dreams will be embodied in the word. But the antithesis to the original thesis about the unity of form and content is still presented: the importance of form comes first. Dreams that are not embodied in the word do not reach the light, they disappear, they die.

The synthesis of the second tercet is a story about the publication of the poems of a lyrical hero and about their perception by a friend. The sonnet is the perfect form, from the point of view of the lyrical hero. That is, "Sonnet to Form" is a sonnet about a sonnet as a perfect form. So the form and content merge, but the form, according to the teachings of the symbolists, is the leading one.

The theme of the poem is in the title. This sonnet is not so much about form as it is about form. Including poetry.

The main idea of the poem: the perfect form is the only condition for the correct perception of the meaning of a work of art.

Paths and images

The epithets of a poem characterize both the subject of the image in poetry and the very essence of perfect poetry. Subtle domineering communications, changeable fantasy, desired features are embodied in polished and finished phrase, letters calm beauty.

Syntactic parallelism in quatrains allows us to compare the unity of the form and content of a flower, the value of a diamond and the beauty of its cut, mental fantasy and its embodiment in a phrase. The transience of changeable fantasies in the poem is compared to clouds in the sky. The metaphor “running” is applied to both fantasies and clouds, and fantasies are petrified in perfect phrases (metaphor).

The first tercet focuses on dreams that seem to have a will of their own (personification). Dreams reach the word and the light (a metaphor for the birth of a thought, its formulation and verbal embodiment). Desired features are the perfect form that is necessary for the embodiment of thoughts.

In the last stanza, the image of a friend appears. This is a like-minded person who is able to see the beauty of the verse, ready to revel in it (metaphor). As you know, the desired volume, which was supposed to include a sonnet, was never published.

In the sonnet castle, the poet seems to completely forget about the content. A like-minded person is impressed by the harmony of the sonnet (composition, meter, rhyming) and “letters of calm beauty” (obviously, sound writing). Thus, Bryusov embodies the idea that form is extremely important.

Size and rhyme

The rhyming of this sonnet is as follows: aBBA aBBA vGvGGv. This is a classic sonnet with variable rhyming in tercetes. The sonnet is written in iambic pentameter with many pyrrhic signs.

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The work belongs to the genre of philosophical lyrics and is created by the poet at the age of twenty, having as the main poetic thought the disclosure of the ideas of the literary movement in the form of symbolism, the founder of which is the author of the poem.

The poem is a canonical version of a sonnet, expressed in two quatrains with the inclusion of an enveloping rhyme and two tercets. At the same time, the work, consisting of fourteen lines, is distinguished by a strict system of rhyming.

Numerous epithets are used as the main means of artistic expression in the poem, allowing the poet to demonstrate the harmony of the thought process, revealing the images more clearly and detailing the essence of the work. In addition, the author uses a variety of lexical means in the form of metaphors, personifications, parallelism to give the poems a sonnet-like lightness.

The compositional structure of the poem builds the relationship of the semantic load of creative works with the meaning of the expression and influence of poetic thought. The poet depicts as the basis of poetry fantasy, described as airy and changeable heavenly clouds, which can be seen by catching their contour bends.

The narrative in the poem is presented in the disclosure of the author's ideological intention, which consists in the need to give original thoughts refined and perfect perfect forms. Only in this way is it possible to create real masterpieces of poetic literature. The author's idea is expressed by the poet in the form of its comparison with a flower, in which its external contour appearance is correlated with the content in the form of a smell.

The content of the work reveals the poet's position about the difficult mental work of a writer, multiplied by an incredible sense of harmony, which is subject only to a few representatives of humanity, while the author assigns the role of a secondary entity to inspiration. That is why the author is striving to reach this pinnacle of skill, dreaming of writing poems that are beautiful not only in terms of their content, but also with impeccable forms.

Thus, the poem is an attempt to search for poetic harmony in the relationship of form and content, to which the lofty thought of the poet strives, dreaming of creating a diamond in the form of a literary masterpiece.

Analysis 2

The work "Sonnet to a Form" is an excellent example of the creation of the Symbolists. Although at the time of creation Valery Bryusov was very young, his great talent can be traced in the poem. The poem aims to reveal the essence, the idea of symbolism. It can be attributed to philosophical lyrics.

Epithets are regular guests of Bryusov's poems, the poet needs them, because they play a big role in the works of the symbolic direction. The epithet in the works contributes to a more vivid disclosure of the image, it details the essence in order to achieve the harmony of thoughts that have appeared in the head of a person.

Any poet, without exception, strives for eternity with his works. Bryusov paid great attention to this issue. There was no doubt in him that hundreds of poems could be created, and all of them could be written in vain, they would not become an object for admiration, no one would strive to imitate poems. And this happens due to the fact that the reader did not understand what thoughts the poet put into his creation. From another point of view, even if poems have simplicity, are accessible to a wide range of people, they still do not cause the necessary admiration, because absolutely any person has the gift of versification.

Valery Bryusov believes that the work should have some extraordinary idea, presented in an extremely subtle and impeccable form in its grandeur. Only with the observance of these conditions, the best poems are born, which subsequently become the property of world literature, a new stage in its development.

Until the end of his life, the poet Bryusov sought to reunite form with content in his works. He carefully chose the words for any of his creations and sought to turn it into a masterpiece.

Valery Bryusov is a talented poet who gave Russia the latest trend in literature, such as symbolism. Basically, the poet concentrated his attention on various topical, human problems of a person: from simple personal experiences of a person - themes of love, love for the Motherland, loneliness, to more important topics such as power, culture, art, war and other upheavals. Valery Bryusov developed and improved the cultural life of Russia. Thanks to the poet, the latest works of Symbolist writers were published.

Analysis of the poem Sonnet to the form according to the plan

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